Beauty and the Beast Broadway Costumes Human Again

_{Photo ane: Disney'south 1991 animated version of Beauty and the Beast. Photo ii: Susan Egan every bit Belle (L) and Terrence Mann every bit Beast (R) in 1994 Beauty and the Fauna on Broadway. Photo iii: Dan Stevens as Beast (left) and Emma Watson as Belle (right) in Disney'southward 2017 Dazzler and the Fauna. Photo courtesy of Disney}

Valentine's Twenty-four hours flew by and so fast this year merely since every day is a celebration of love, let's celebrate again past talking about one of the most heartwarming, romantic, and beautiful tales as erstwhile equally time — Beauty and the Animate being.

If you are not too familiar with this classic story, it follows a young French woman by the name of Belle (meaning 'Cute' in French) and a immature Prince named Adam. As punishment due to Prince Adam's selfish and superficial acts, he is turned into a animate being. The Beast lives alone in a castle in the forest forth with his servants but in club to be gratuitous of that curse, he must observe someone to truly love him past his 21st birthday — if non he and his servants will live enchanted forever. Ironically Belle finds her way to the castle, thanks to her father, and the rest is history (well THEIRstory).

Petrus Gonsalvus' wife and Belle, Catherine

For more insight, Beauty and the Beast was originally a fairy tale written by Gabrielle-Suzanne Barbot de Villenueve. An interesting fact, Villenueve was inspired by a man named Petrus Gonsalvus, who happened to accept Hypertrochosis, a condition that results in excessive hair growth. The inspiration for Belle was named Catherine, who was a daughter to one of the court servants where Gonsalvus was taken in. French fairy tale writer Jeanne Marie Le Prince de Beaumont created her own version of the work which became the almost well-known version to this day. Her version has inspired many unlike adaptations of the story, including the ones we volition be talking near in this piece: The 1994 Tony Award-winning Broadway musical and the 2017 Disney live-activeness movie adaptation of Beauty and the Beast.

Terrence Mann as Brute (left) and Susan Egan as Belle (right) in 1994 Dazzler and the Beast on Broadway

American costume designer Ann Hould-Ward pictured at Broadway show 'A Catered Affair' meet and greet

In that location are many characters and elements to the story but if at that place's ane thing that people volition remember, it'southward Belle's elegant ball gown and Prince Adam'south assuming suit. Only who is behind these creations and how did they come to be? Allow'due south get-go run across Ann Hould-Ward.

Ward is an established American costume designer who has worked with the Ringling Bros. and Barnum & Bailey Circus and the American Ballet Theatre. She has as well designed for many shows including Into the Woods, The Colour Purple, and The Nutcracker. The multi-accolade-winning Montana native has a lot of experience in the mode manufacture but she actually got her beginning, designing clothes for her paper dolls. She would later graduate with a caste from Mills College and the University of Virginia, eventually moving on to work for her mentor and 1 of her inspirations — Patricia Zipprodt whose own award, the Patricia Zipprodt Award for Innovative Costume Blueprint from the Fashion Institute of Technology named in honor of the late legendary talented costume designer, was given to Ward in 2001.

Those paper doll clients surely paid off because just years later she would land the opportunity of a lifetime — getting to pattern the costumes for Disney's 1994 Broadway production of Beauty and the Beast, only three years subsequently the animated version had been released. This was such a huge moment for Ward because this was the first fourth dimension that Disney would be taking a swoop into the Broadway world.

Belle'due south dress designed by Ann Hould-Ward for the 1994 Beauty and the Fauna on Broadway on display

So what was the process backside the 2 iconic looks? Ward repeatedly mentions a method that she uses throughout many of the shows that she has designed for. Catering to her love of drawing, she first sketches out her ideas. As mentioned in a 2018 interview with Broadway Globe, Ward describes the importance of sketch stating that "A truly good sketch tells the dialogue of the graphic symbol with the show and enlightens the director and actor as to where the tactile world of the character exists. It is the road map to good work."

Afterward sketching she and then moves on to the costume shop where she brings her ideas to life. That is where the draping happens and the fabric pick is fabricated. The fitting is next where the team makes certain that the actors can move freely and comfortably in the costumes. Lastly, it is showtime. Ward expresses that this is one of the most of import moments because the costumes are now for the actors to own and for the audiences to savour.

Susan Egan as Belle in 1994 Beauty in the Creature on Broadway

Surprisingly the process was not too difficult when it came to Belle'southward costume. In an article by Andrew Andler, Ward stated that she, "spent a week with the animators who created the different characters, talking with each one of them, seeing what their inquiry was considering they did massive amounts of research." She also, "studied the initial story of 'Beauty and the Beast,' the historical nature of the story every bit a French fairytale from the mid-1700s." I admire Ward's dedication to the original piece of work and her determination to make sure that even though she puts her ain spin on the costumes, she yet stays truthful to the original designs that we all know and honey. She even went as far as using The Leah factor, a self-fabricated technique named after her daughter who at the fourth dimension was v years onetime.

In an interview done with the South Florida Sun Lookout, the testify's scenic designer Stanley A. Meyer described the Leah Factor stating that information technology was where Leah would have to approve everything maxim things such as "Oh no, Mommy, Belle's ballgown has to be yellow. Information technology can exist golden, but it tin't be pink."

The Leah gene worked well because the clothes is absolutely stunning. This extravagant, thirty pound, floor-length, off-the-shoulder golden and yellow gown is rounded with draped textile to create the classic Belle await. The corset-shaped top one-half of the gown is filled with ribbon, bows, and flowers — with the center of the tiptop having a corsage-looking piece. The dress has many layers of tulle making certain that the gown is equally puffy and graceful equally possible. On the skirt of the dress lies many gilded bows. The actress Susan Egan who plays Belle in the Broadway musical wears a beaded necklace with precious stone earrings and a flower hairpiece to add to the costume. Although contrasting Belle's original yellowish ones, the gown is paired with cream-colored fishnet elbow gloves to complete the expect.

Terrence Mann as Beast posed behind the Enchanted rose in 1994cBeauty and the Animal on Broadway

As for the Beasts' costume, information technology took a little longer. Co-ordinate to an interview done with CNN Entertainment News, New York, Ward had drawn "20 dissimilar versions of the Beast" earlier she and the creative team decided on the terminal await. Terrence Mann who played the Beast in the Broadway musical underwent 27 fittings and hours of prosthetics just to brand sure that the Beast look was just right.

David H. Lawrence was the make-up artist and pilus designer for the show and John Dods was the prosthetics specialist. Dods actually stated that niggling makeup was needed in the process since most of the Beast'due south face up and claws were done using prosthetics. The Beast'south jaw and monstrous teeth were very interesting since they were not dentures but prosthetics as well. Two sharp teeth stuck upwards from the bottom while the tiptop teeth hung down over Isle of mann's bodily teeth to enable him to sing while in costume. Isle of man wears a wig cap over his hair assuasive him to brandish a headpiece with two large curved horns attached. The horns are fierce and appear equally though they are coming directly at you.

Lawrence collaborated with Dods in bringing the wait to life. Staying truthful to Ward's overall theme of wanting the costumes to look as if a homo being had really been enchanted, he was able to alloy hair into the prosthetics to give information technology a realistic and conceivable look. Mann dons a baby blue bow on the back of his hair, reminding you that he is nevertheless a prince. To give Isle of mann a more hitting figure, he wore a bodysuit. The bodysuit had built-in muscles and extended his caput and back out to give him a broad effigy.

As for his attire, Isle of mann wears a blue cuffed tailcoat lined beautifully with extravagant aureate and silvery detailing. Under the coat lies a vertical striped vest that most perfectly camouflages into the glaze and placed directly on meridian is a jabot matching the lapel (flap on the tailcoat). In most of his looks, the Beast has a gilt chain necklace with a large oval pendant which is too worn when the Beast wears his purple cloak. To consummate the costume Mann wears black side-striped pants tucked into alpine boots that too accept special detailing. If this sounds similar a lot, it is! Information technology is said that it took over three hours at starting time to put everything together but one time the squad got the hang of it took less than half the time. It also took three people to assistance the Creature get dressed which is the literal definition of teamwork!

I really admire Ward, Dods, and Lawrence's piece of work when it came to bringing Beauty and the Beast to the phase. Their good for you balance between creative freedom and respect towards other artists' works is what art is all about! Ward's determination and hours of work paid off because she even earned a Tony award for her costume pattern. That led her to the opportunity to work on other versions of Beauty and the Brute. Hither are a few of my favorites:

Belle'southward clothes from the Dazzler and the Beast musical on display

Now that nosotros have seen Dazzler and the Creature on Broadway let's fast forward well-nigh 23 years later. Disney has simply released its live-activeness Beauty and the Beast movie. What could accept inverse betwixt the musical and the movie? How were the costume designs and processes in the flick different from the musical? In order to answer this, permit'southward now go to know Jacqueline Durran.

Costume designer Jacqueline Durran pictured in front end of the Oscar's sign at the Oscar's

You may have heard Durran's name floating around at a few honor shows, or even on our website! That is because she has left such an impact on the entertainment manufacture. Nominated for an Academy Award for her work on Little Women and Pride and Prejudice, Durran has made her mark. Ironically the British fashion designer did not nourish the Purple College of Art in London to written report manner and costume design. In fact, throughout her entire higher experience and even later graduation she did non even know that costume design was a career pick.

It was non until she started working at Angels, a costume store and London landmark, that she discovered her knack for vintage clothing and dating different wear. Durran stresses the idea of experience and how information technology has helped her navigate through the costume world. Her assignments working on several movies while at the store pushed her even farther to more opportunities. Mirroring Ann Hould-Ward, Durran also assisted respected figures in costume blueprint: Lindy Hemming (Wonder Woman 1984), Mike Leigh (Secret & Lies), and Joe Wright (Pride & Prejudice). Using a combination of her mentors, feel, and interest in older styles of clothing, Durran would be the perfect candidate for Beauty and the Creature.

Information technology fascinates me how unlike each experience was for the designers. Ward actually stated that Belle's costume was non as difficult as trying to plough the residue of the bandage into cookware. On the other hand, in an interview with ScreenSlam, Durran describes the process behind the yellow apparel claiming that, "the yellow dress was 1 of the nearly difficult things to achieve" and in an interview with Disney Mode, Durran states that, "the yellow clothes is a curious costume because information technology's quite simple and quite difficult at the aforementioned time. The iconic yellow dress from the animation is then great and and so well-loved that you don't really desire to modify information technology."

Durran expresses her challenges with trying to live up to the expectations of not just the audience and their known interpretation of Beauty and the Fauna simply too trying to combine the actor's, managing director's and designer'southward ideas together to reference the animation of one of the most dear Disney princess movies. Some of Durran's other challenges included elements in the story such as the time period, setting, and catchy scenes between the animated picture show and the live-action version.

So with all of this pressure on trying to make certain that Belle's costume was lovable where did Durran start? Well, she really took a very different approach when it came to Belle'due south costume and character every bit a whole. Durran focuses on i main thought throughout the unabridged process which is to present Belle as an agile heroine. Belle is the daughter of an inventor, so when it came to her designs she wanted to add elements of practicality and liberty. Belle's rebellious and curious nature paired with her love of adventure was likewise taken into consideration when creating the dress.

Belle'southward necklace and yellow dress and from Disney's 2017 live-action adaptation of Dazzler and the Animate being on display

Durran and the creative team endured a long pattern process where they tried out different looks and ways of how to interpret the gown. She already knew that the dress was going to be yellow just information technology was just a matter of how they were going to make it and how close it could be to the animated version. Durran and her creative squad came to the decision that the dress only needed to menstruum, particularly in the way that Belle was always on the movement. She made certain to communicate a lot with Emma Watson, who played Belle, to go her input on the costume.

Contrasting from the musical, Belle does not take a corset but rather a bodice to accentuate Belle'due south need for motion. For even more liberation she adds boots to her wardrobe. As described by Durran, the apparel had a "soft structure which was built upward past many meters of silk organza that was all dyed yellowish and cut broadly in a circular shape then information technology emphasized her motion" (ScreenSlam).

Using the 18th century as a guide the squad actually fabricated Belle'due south dress into a coatdress with a separate forepart helping to add volume to it. The skirt of the wearing apparel was created with "petticoats and layers of satin organza" (Disney Way). To stay true to Belle's active heroine trait, 3 tiers were added to the dress giving Belle the opportunity to dance every bit hands as she would like and to give the ruched wait that the original animated picture had.

For accessories, Belle has a gilded ear cuff that wraps around the sides of her ear, acting nigh in an earthly way. She wears a matching gold cuff around her bun like to the ane that Belle wears in the animated film. The last piece is a simple gold necklace that has a tree/plant-similar pendant that feels organic.

Emma Watson equally Belle (left) and Dan Stevens as Beast (right) in Disney's 2017 live-action adaptation of Beauty and the Fauna. Photo courtesy of Disney

Nosotros can also thank Durran for the Fauna costume. She mentioned that in preparation for the film the costume team was working on physical costumes for the Beast. They were never enlightened of the Creature would be a prosthetic or CGI (Computer-generated imagery) and then they only made 3-dimensional beast costumes. If you accept not seen Beauty and the Fauna yet the Beast is actually CGI.

The process behind alive-action to CGI is magnificent. Thespian Dan Stevens who played the Animate being recalled having to article of clothing a big musculus suit while on stilts to capture the movements needed to film the film. Durran stated that the visual effects department scanned the 3-dimensional costumes that she and the squad made and then applied those physical costumes that were created to the CGI beast.

Along with Belle, Durran also faced challenges with creating the Beast. Ane of the main challenges that were faced was trying to get the right shape and fit for the Animal. Sometimes the movies needed to switch out actors or do a stunt then there were many different people within of the Beast costume. And making sure that they had different versions of the costume for each person definitely proved to be a little tough. The Fauna besides changes form throughout the movie so going from an brute-like character to a human being kept her and her team on their feet. Merely they were able to practise it! Similar in the musical, the Beast is wearing a dark blue cuffed coat lined with gilded detailing. The detailing though resembles a tree, looking very similar to Belle's hair and earpiece, about as if it symbolizes their relationship. The coat is also lined with golden buttons. Similar the musical costume, the Beast wears a fancy patterned lace jabot to requite him that 18th-century prince look. The horns differ however with the curved horns growing backward away from the audience.

Simply in the way that Prince was inspired by Villenueve to write Dazzler and the Beast in her own style, so were and many were Ward, Durran and then many others still to this twenty-four hour period. I wish to continue to see different interpretations of the story and hope to one twenty-four hour period be a part of such a wonderful journey. If you have not, delight take the gamble to watch Beauty and the Beast on Disney+ I promise you lot all had a wonderful and safe Valentine's Mean solar day! How did you lot celebrate this yr?

Lookout man Disney's Beauty and the Beast, At present Streaming on Disney +

If you lot are interested in learning more about each design, the designers or the story behind Beauty and the Beast feel gratis to check out these sources!

Adler, Andrew. "Ann Hould-Ward'south Costumes Requite 'Disney's Beauty and the Beast,' at the Saenger Theater Dec. 29-Jan. three." NOLA.com, 22 December. 2015, 11:09pm, http://world wide web.nola.com/entertainment_life/arts/article_e6cfbbcd-cf67-5665-ab4e-1fc6c171291d.html.

Bayley, Leanne. "Emma Watson on Belle's Xanthous Apparel in Beauty and The Animal & How It Felt to Wear It." Glamour U.k., Glamour United kingdom of great britain and northern ireland, xiv Mar. 2017, http://world wide web.glamourmagazine.co.u.k./article/belles-yellow-dress-beauty-and-the-fauna-interview.

Beresford, Trilby. "Meet Oscar Nominated Costume Designer Jacqueline Durran." Medium, Amy Poehler'due south Smart Girls, 2 Mar. 2018, amysmartgirls.com/meet-oscar-nominated-costume-designer-jacqueline-durran-4ad3bef4cef6.

Gray, Channing. "Ann Hould-Ward Talks about Designing Costumes for 'Beauty and the Animal,' Making a Render Visit to PPAC." Providencejournal.com, Providencejournal.com, 24 May 2013, 12:30pm, http://www.providencejournal.com/article/20130524/Amusement/305249989.

Hagwood, Rod Stafford. "Tale 'as Old as Fourth dimension' Gets New Twist." SunSentinel, 11 Nov. 2011, http://www.lord's day-picket.com/entertainment/events/fl-xpm-2011-xi-xi-fl-features-dazzler-beast-advance-20111111-story.html.

Hebert, James. "Preview: 'Beast' Is a Bear to Wear." Tribune, San Diego Union-Tribune, 17 November. 2015, 9:27am, http://world wide web.sandiegouniontribune.com/entertainment/theater/sdut-beauty-and-the-animate being-preview-2015-2015nov17-htmlstory.html.

Hodgins, Paul. "'Dazzler' Was No Beast for Costume Designer." Orange Canton Register, Orangish County Annals, 15 Nov. 2010, eight:05am, http://world wide web.ocregister.com/2010/11/15/dazzler-was-no-creature-for-costume-designer/.

Hoggard, Liz. "Ann Hould-Ward: 'My Dad Was a Dry-Land Farmer, He Taught Me to Work Real Hard'." The Stage, 17 Feb. 2020, http://world wide web.thestage.co.great britain/features/ann-hould-ward-my-dad-was-a-dry out-state-farmer-he-taught-me-to-piece of work-existent-difficult.

Hoo, Fawnia Soo. "How Jacqueline Durran Went From Selling Vintage Mail-Grad to Winning an Oscar for Costume Design." Fashionista, Fashionista, 3 Feb. 2020, fashionista.com/2020/02/piffling-women-jacqueline-durran-costume-designer-career.

Hoo, Fawnia Soo. "How the 'Beauty and the Beast' Costume Designer Worked With Emma Watson to Bring a 'Modernistic' Belle to Life." Fashionista, Fashionista, 13 Mar. 2017, fashionista.com/2017/03/beauty-and-the-brute-2017-clothes-costumes.

Jesse. "Jacqueline Durran Wiki: Everything To Know About The 'Pride & Prejudice' Costume Desgner." Panda Gossips, xi Apr. 2018, pandagossips.com/posts/2298.

Lanes, Elliot. "BWW Interview: Theatre Life with Ann Hould-Ward." BroadwayWorld.com, BroadwayWorld.com, half dozen Aug. 2018, http://www.broadwayworld.com/washington-dc/article/BWW-Interview-Theatre-Life-with-Ann-Hould-Ward-20180806#:~:text=Ann%20Hould-Ward%20Today'south%20subject%20Ann%20Hould-Ward%20is%20both,limited%20just%20to%20the%20theatre%20by%20any%20means.

Lang, Kevin. "The True Story Backside Beauty and the Beast." HistoryvsHollywood.com, History vs. Hollywood, 24 October. 2019, http://www.historyvshollywood.com/reelfaces/beauty-and-the-beast/.

Staff, Playbill. "Wait Back at the Original Broadway Bandage of Beauty and the Animal." Playbill, PLAYBILL INC., 18 April. 2020, http://www.playbill.com/article/wait-back-at-the-original-broadway-cast-of-beauty-and-the-animal.

Syme, Rachel, and Rebecca Mead. "How Jacqueline Durran, the 'Trivial Women' Costume Designer, Remixes Styles and Eras." The New Yorker, 13 Jan. 2020, http://www.newyorker.com/culture/on-and-off-the-artery/how-jacqueline-durran-the-little-women-costume-designer-remixes-styles-and-eras?irclickid=W7iWzv1Z8xyLRygwUx0Mo38-UkEWfxQ5yS6pwE0&irgwc=one&source=affiliate_impactpmx_12f6tote_desktop_Bing+Rebates+by+Microsoft&utm_source=affect-affiliate&utm_medium=2003851&utm_campaign=impact&utm_content=Logo&utm_brand=tny.

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Source: https://theartofcostume.com/2021/02/19/the-beauty-and-the-beast-of-costume-design/

Beauty and the Beast Broadway Costumes Human Again

Lookout man Disney's Beauty and the Beast, At present Streaming on Disney +

If you lot are interested in learning more about each design, the designers or the story behind Beauty and the Beast feel gratis to check out these sources!

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